| A Negation |
[Jun. 1st, 2006|05:38 pm] |
tracks permanently archived in multiple formats at archive.org
creative.commons.attribution-noncommercial.2.5
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| free |
[Apr. 25th, 2006|02:07 pm] |
Edit:
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| I'm not really Stanley Lieber. |
[Apr. 24th, 2006|05:32 am] |
This is intended to be listened to as an album, in its entirety, from start to finish. Some friends are creating video clips to accompany many of the songs, which will be added here as they are completed. The files listed above are available for streaming, and also for download in lossless format, at archive.org. CDs will be made available in the usual manner -- please contact me if you would like one mailed to you.
For now, please enjoy.
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( Read more... )
tracks permanently archived in multiple formats at archive.org
creative.commons.attribution-noncommercial.2.5
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| Son God |
[Mar. 4th, 2006|05:09 am] |
| [ | Tags | | | 1997, album, christianity, creative_commons, experimental, free, inri, itrecords, mp3, religion, son_god, stanleylieber, virtual_jesus | ] |
Originally released September 12, 1997. From the liner notes:
I still like this album and I refuse to make excuses for it.
Edit:
Click here for the lyrics.
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tracks permanently archived in multiple formats at archive.org
creative.commons.attribution-noncommercial.2.5
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| Piracy |
[Feb. 11th, 2006|11:08 pm] |
| [ | Tags | | | 2000, album, creative_commons, dmca, experimental, free, inri, itrecords, mp3, piracy, stanleylieber | ] |
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Originally released July 4, 2000. From the liner notes:
Well, MP3.com lost, Napster lost, Emmanuel lost -- it seems like everyone is losing.
I started this the day the initial press releases were issued about major labels suing MP3.com. Of course, at the time, it still seemed possible that the courts would blow off the DMCA and opt for common sense when it came to understanding issues of 'intellectual property.'
Apparently not.
So there is no such thing as fair use anymore. Okay. In addition, most every work created at the behest of a corporate interest will probably end up being 'work-for-hire' in retrospect. Sounds fair, no? A little bit of the old 'We'll sell your ideas in Asia without even telling you -- much less kicking in your royalties; but don't you dare even criticize us in public or we'll sue the shit out of you -- and we'll win because no company in their right mind would ever give you enough liquid assets to win a lawsuit against a major corporation.'
Edit:
The original MP3s I linked to were encoded at 128kpbs in 2000, and frankly didn't sound great. They also didn't have proper ID3 tags. At ![[info]](http://l-stat.livejournal.com/img/userinfo.gif) anglerfish96's suggestion, I have have re-ripped the album from CD and tagged each MP3 accordingly.
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Unrelated:
My car was destroyed in a head-on collision shortly after I completed the album.
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creative.commons.attribution-noncommercial.2.5
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| Trade |
[Jan. 31st, 2006|05:32 am] |
Synth programming on track 2 and piano on track 3 by landruc
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tracks permanently archived in multiple formats at archive.org
creative.commons.attribution-noncommercial.2.5
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| (no subject) |
[Nov. 25th, 2005|01:53 am] |
My favorite album of 2005 actually came out in 2004. Since I don't make end-of-year posts that sum up my opinion of the annum's cultural progress, I'm going to cheat here and share with you a recording that I didn't receive until after it's birth year had come and gone.
( Read more... )
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| Louveciennes |
[Apr. 26th, 2005|01:14 am] |
Volume one of The Diary. Each track is normalized and mastered to eliminate sudden, undesirable shifts in volume.
From Wikipedia:
Louveciennes is a village and commune in the Yvelines département, in France, in the western suburbs of Paris, between Versailles and Marly-le-Roi.
The Château du Barry, built in 1700 by Louis XIV, is in Louveciennes.
Louveciennes was frequented by impressionist painters in the 19th century; according to the official site, there are over 120 paintings by Renoir, Pissarro, Sisley, and Monet depicting Louveciennes.
From The Unexpurgated Diary of Anais Nin (1931-1932):
... to me: "Don't expect me to be sane any more. Don't let's be sensible . It was a marriage at Louveciennes, you can't dispute it. I came away with a piece of you sticking to me; I am walking about swimming, ...
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The spaces clear out for you and often your word travels are entirely fanciful. But the spaces they fill in for others are sometimes indistinguishable from memory. No, it is not a new discovery placed before you by Providence. You'll taste time and forget you are not the internal voice that narrates your own reading. You'll not know how you know what you know, but you'll still care to find out.
Participatory pseudepigrapha.
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Above: original watercolor painting with various colored chalk drawings by Henry Miller, 1944
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